Charleston, South Carolina

The
Collective

Two people, many hats. We bring the heart and soul of Midwest deep house to Charleston — informed by the founders of the style, and promising to push it forward.

The People
The Collective

Two of Us, No Fixed Roles

We met trading synthesizers and found out we were seeking the same thing. Two of us, no fixed roles — we both write, arrange, produce, mix, record in the field, build the visuals, and make the tools when the tools don't exist yet.

Production · Sound Design · Live
Khabran Peters

Raised on the Chicago underground, this artist cut his teeth on DJ Assault and DJ Funk. He started DJing young, learning to read a room long before he opened a DAW. After fifteen years as a visual artist, he moved into music production.

Now based in Charleston, his sound carries the city's late-night feel but keeps the kinetic edge of its Midwest roots—deep one minute, fast the next. As much indie sensibility as booty-house grit.

The work is hardware-first, with software kept to remixes and edits. Onstage he stays out of the way and lets the tracks do the talking. Polished without being precious—built by someone who cares more about the craft than the spotlight.

Production · Sound Design · Live
Daniel Harvey

Daniel started on drums at ten and embarked in electronic music at seventeen — synthesizers first. A metalhead from a young age, he spent ten years as an engineer living near Detroit filling the nights with synthesized tones and rhythms, shaped most of all by the thriving local underground techno scene.

Now back home in the lowcountry, Daniel carries the varied sounds of his past into a new future, inspired by the wandering cypress swamps and soulful sunsets over the Ashley River.

Art & engineering cannot be separated: custom plugins, hardware recording & performance rigs; the tools behind the tracks are just as important as the finished sound. To him, the science and the math matter as much as the beauty — tension and release, built deliberately.

The Process
How It's Made

Digital, Analog, Whatever Moves

It doesn't matter how — digital or analog, hard or soft, bought or built — as long as it moves the room. The soul in this music is designed, not extracted; assembled, not distilled.

Sketch
A loop starts on the Force or the MPC, hands on the pads. The idea has to survive first contact before anything else gets built around it.
Arrange
Sometimes into Ableton, sometimes start-to-finish in REAPER. The track gets shaped wherever it wants to go — we follow the take, not the template.
Studio
A deep bench of synths, drum machines, and pedals; digital and analog, hard and soft, some of it built by hand. If the sound we need doesn't exist yet, we make the thing that makes it.
Live Rig
No laptop, no safety net. A full spread of hardware patched together and played 100% live — sequenced, twisted, and pushed in the moment. Built for the room, the warehouse, the night that doesn't repeat.
the studio rig
The Product
The Output

Classics, with a Twist

Everything ends up here, in the catalogue. It's proof people in Charleston are pushing the sound of the club.

Beyond the Releases

But that's just the releases. We're also out there — on the street, in the swamp, with a PA, a generator, and a bunch of good vibes.

Hear the
Proof

The catalogue is the evidence. Start listening.

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